50 Top Wedding Photography Shots

Posted by: Administrator  :  Category: Wedding

Darren Rowse Wedding Photography Shot List

  1. Prep Shots – Bride & Groom
  2. The Dress – Hanging or Draped
  3. The North Window Shot – Bride facing out northern most window
  4. Bride walking down stairs
  5. Bride looking out (window or door)
  6. Maid of Honor & Brides Mom – Zipping Dress
  7. Bride Applying Make Up
  8. Groom Fixing Hair
  9. Grooms Father & Best Man – Attaching Boutonnière to grooms lapel
  10. Groom Checking the Time
  11. Groom with Grooms Men & Fathers
  12. Bride with Bridesmaids & Mothers
  13. Bride with Mother & Father (also grandparents)
  14. Groom with Mother & Father (also grandparents)
  15. Bride Limo – Groom Limo
  16. Bride & Groom – Exiting Limo (Bride being helped out)
  17. Groom waiting at altar
  18. Church Wide Shot (with & without guests)
  19. Bride walking down aisle ( Side Profile & Front )
  20. Father giving away bride
  21. Groom over the shoulder shot of bride ( & Vis Versa)
  22. Holding hands – Bride and Groom
  23. Bride & Groom Kiss
  24. Bride & Groom Leaving Church ( Receiving Line)
  25. Bride & Groom – Inside Limo Shot
  26. Reception/Banquet Hall Outside shot
  27. Food Shots (Cocktail Hour, Drinks, etc.)
  28. Shot of each table full of guests
  29. Shots of Bride & Groom with & without family
  30. Bride and Groom Portraits
  31. Bride & Groom with Bridesmaids & Groomsmen
  32. Bride and Groom Hand & Ring Portraits
  33. First Dance
  34. Bride & Father Dance
  35. Groom & Mother Dance
  36. Bouquet Toss
  37. Guarder Belt Toss
  38. Cake Cutting, Bride and Groom Feeding each other
  39. Misc. Guests Dancing
  40. Bride & Groom Eating
  41. Best Man & Maid of Honor Toast/Speeches
  42. Bride & Groom Toast/Speeches
  43. Centerpieces & Flower/Decorations
  44. Guestbook Signatures
  45. Small Children Dancing with Bride & Groom
  46. Bride & Groom’s Parents Dancing (Plus Grandparents)
  47. Venetian Hour Photos (Coffee, Ice Cream, Etc)
  48. Bride & Groom giving away wedding favors
  49. Groom Giving Coat to Bride
  50. Bride & Groom “Just Married” Vehicle – Driving Away

Red Chair Photography

Posted by: Administrator  :  Category: Web Site Reviews

Marc Goldstein and the Red Chair; what is this Red Chair?
Well it is a red chair in which some of Marc Glodstein’s hottest friends was photographed. Marc has photographed years of Erotica photographs on this chair and now offers these wonderful images to the world via the web absolutely free. Due to hard economy Marc now calls upon the support of his viewers to assist in the expenses to keep him shooting these hot beauties on the Red Chair.

Erotica is an art that arguably walks the line between art and porn, and like a Japanese chef preparing Fugu one mistake can be lethal. Only the most talented can shoot erotica and keep it art, and Marc Goldstein has definitely mastered this art.

Check out the Marc Goldstein and the Red Chair:

THE RED CHAIR ON MODEL MAYHEM
MARC GOLDSTEIN ON MODEL MAYHEM

MARC GOLDSTEIN ON MYSPACE

WWW.THEREDCHAIR.NET PREVIEW

GRAPHICS WITH AGUSTEALO Vol1 Graphex

Posted by: Administrator  :  Category: Graphics With Agustealo

INTRODUCTION:  GRAPHICS WITH AGUSTEALO, VOLUME #1 Graphex

Graphix.jpg

The outstanding success of our Video Tutorials through our online video community fully exceeded our expectations and its popularity increases even more over our ambitions. Art WarriorS Team thanks you all! And for the launch of our huge New Graphic Series acclamation, what’s better to honor all you guys out there?

This tutorial will cover:

  1. Paths, using the Pen Tool.
  2. Marquee Tool.
  3. Layers.
  4. Layer Styles.
  5. Layer Mask
  6. Layer Clipping
  7. Blend Modes.
  8. Grouping

Graphics with Agustealo is Art Warriors new tutorial series dealing with graphics. Agustealo will guide you through creating some of the most eye catching graphics for web and print. For the first time all miniseries will be available for free download to all Art WarriorS members (join now for free at artwarriors.com).

To make sure we are all on the same page please follow these following steps in setting up Photoshop.

Press CRTL+K (review fig 1:1 make necessary changes and click OK).

Your dialog box might vary depending on your version of Photoshop.

Figure 1:1

Getting started: GRAPHICS WITH AGUSTEALO, VOLUME #1 Graphex

Let’s begin:

  1. Press the D key (default swatch white and black)
  2. Press the X Key (swap foreground to background)
  3. Create a new document (crtl+n) (review fig 1:2 for details)

Figure 1:2

Figure 1:3

Now let’s create something AWESOME!

Important Notice! Your background should be black, if not please do so now.

Create a new layer: CTRL+Shift+N and call it “Outer Glow”

Figure 2

Select your Elliptical Marquee tool:

  1. Select the new layer by clicking it.
  2. Hold down alt+shift and click in the center of your document and drag out to create a circle.
  3. Now fill the circle with red (color value is #ba0006 type it into your color picker)

Hint! Hold down CTRL+Backspace or CTRL+Delete to fill selection with foreground or background.

Now duplicate the layer (CTRL+J)

Figure 3:1

Select layer “Outer Glow”

Figure 3:2

Lets Soften this up a Little: Radius of 60px

Figure 3:3

Click Filter>Blur>Gaussian Blur

Figure 3:4

Select the layer above Outer Glow

select-layer-1

Figure 4:1

Rename layer to Inner Glow

rename inner glow

Figure 4:2

Soften using Gaussian blur: Radius of 20px

inner layer

Figure 5:1

Click Filter>Blur>Gaussian Blur

blur20

Figure 5:2

Change Layer Blend Mode to Color Dodge

blend mode color dodge

Figure 5:3

pen toolSelect the Pen Tool (press “P”)

Note: If it’s your first time play around with it to become comfortable.

Start Clicking and Dragging Anchor points. Press Esc to start a new path.

Path

Figure 6:1

Select your Brush Tool, enter a Brush Diameter of 8 px and a Hardness Value of 100%.

Figure 6:2

Step: 1

Create a new Layer, and reselect the Pen Tool. Hold down CRTL and left click on a path to select it.

select path.jpg

Figure 7:1

Step: 2

Right click and select stroke Path or Subpath depending on your PS version. Make sure Simulate Pressure is checked.

Stroke SubPath.jpg

Figure 7:2

Click OK,  Repeat step 1 and 2 for each path. Don’t worry about the color for the storke, we’ll fix that later.

Note: Make sure to stroke each path on it’s own Layer.

curve layer.jpg

Now let’s get to the fun partsame page.jpg Double click each line layer to add Layer Style

Layer.jpg

Follow the following settings in each step.

Step 1: Drop Shadow.

drop-shadow.jpg

Step 2: Outer Glow.

outer-glow.jpg

Step 3: Color Overlay

color-overlay.jpg

Now it all smooth sailing from here.

Hold down ALT, and drag and drop “Effects” to all other layers needing the effect.

Drag-Style.jpg

Feel free to add other shapes, and, texts, then  just drag and drop Fx.
glow-finish.jpg

Graphix.jpg
For this and other tutorial and video downloads visit www.artwarriors.com

Author: Agustealo Johnson

Copy Right: ©Art Warriors, 2009

Website: www.artwarriors.com

Digital Rebel T1i Review

Posted by: Administrator  :  Category: Camera Reviews

Barely few hours after the leak of Canon’s new Rebel T1i, the company had a press release. Finding its place between the XSi and 40D, the T1i closes the lid on the XTi. The EOS Rebel T1i will be shipped in May of 2009 with the Rebel’s popular price tag $799.99 for the body and $899.99 for the kit with the f3.5-5.6 18-55mm IS lens.

canon-eos-500d_digital-rebel-t1i-0004

Canon is known for releasing new advance features into thier Rebel line and its no different for the EOS Rebel T1i. The biggest buzz about the T1i is the addition of a 1080p HD video capture to dSLRs recording at 20fps, surpassing that of the more expensive but limited to 24fps 720p Nikon D90, making the T1i the cheapest dSLR and one of the best thus far to support video capture. It also features a 15.1 MP APS-C CMOS sensor and a 3.0 inch LCD with 920,000 dot resolution and an ISO sensitivity range expandable up to 12800 equivalent. Topped with a faster Digic 4 processor for better noise reduction at higher ISO’s and continuous shooting speeds of up to 3.4 fps delivering 170 large JPEG images in a single burst.

xebel_t1i_rearview_final_540x572

Press Release:

LAKE SUCCESS, N.Y., March 25, 2009 – Canon U.S.A., Inc., a leader in digital imaging, today introduced a new addition to its Rebel lineup, the EOS Rebel T1i Digital SLR camera, the first in the Rebel line to feature Full HD video capture. The new Canon Rebel T1i SLR incorporates some of the best technologies from the EOS 50D and EOS 5D Mark II models into an entry-level juggernaut. With a 15.1 megapixel CMOS sensor and HD video capture, along with the DIGIC 4 Imaging Processor, the Rebel T1i gives aspiring photographers plenty of reason to step-up to the latest and greatest model in the Rebel lineup.

The new Canon EOS Rebel T1i raises the entry-level bar with a host of enhanced Canon technologies now available in an entry-level DSLR. Along with the boost in megapixels and Canon’s most advanced imaging processor to-date, this latest Rebel camera has also been enhanced with HD video capture, a 3.0-inch Clear View LCD (920,000 dots/VGA) monitor and user-friendly functions such as Auto Lighting Optimizer, Creative Auto Mode and Canon’s Live View modes, all the right tools to open new doors for imaging enthusiasts. From high-resolution to high-definition, the new EOS Rebel T1i Digital SLR camera helps to give creative consumers a jumpstart on the next evolution in digital imaging.

“We are witnessing the emergence of a new phase in digital imaging history, as high-resolution still images and HD video can now both be produced in a hand-held device, for under $1,000. This is truly a great time to be involved in digital imaging as the advent of online communities are helping usher in this next great era in imaging,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.

The muscle behind Canon’s new EOS Rebel T1i camera is the DIGIC 4 Imaging Processor with 14-bit analog-to-digital conversion and the ability to process full HD video. The Canon EOS Rebel T1i Digital SLR offers continuous shooting at 3.4 fps for up to 170 large/fine JPEG images or up to nine RAW images in a single burst when using a class 6 or higher SD or SDHC memory card. Whether capturing wildlife on the run or a child mid-stride on the soccer field, users will appreciate the fast shooting capabilities of the Rebel T1i Digital SLR camera.

With the combination of its 15.1-megapixel APS-C size CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS Rebel T1i camera provides ISO speeds from ISO 100 up to ISO 3200 in whole stop increments, along with two additional high-speed ISO settings – H1: 6400 and H2: 12800.

The EOS Rebel T1i Digital SLR utilizes a precise nine-point Autofocus (AF) system and AF sensor for enhanced subject detection. The new EOS Rebel T1i DSLR provides a cross-type AF measurement at the center that is effective with all EF and EF-S lenses, while providing enhanced precision with lenses having maximum apertures of f/2.8 or faster. The cross-type AF measurement reads a wider variety of subject matter than conventional single-axis AF sensors and thus increases the new camera’s ability to autofocus quickly and accurately when shooting still images.

The EOS Rebel T1i camera is compatible with Canon’s complete line of over 60 Canon EF and EF-S lenses, to help provide an incredible variety of visual effects to both still and video imaging capture, including ultra-wide-angle and fish-eye to macro and super-telephoto. This includes all of Canon’s large-aperture EF L-series professional lenses.

HD and SD Video Capture
After the introduction of the EOS 5D Mark II in September 2008, the Company’s first HD video DSLR, Canon has integrated this must-have feature into the new entry-level flagship EOS Rebel T1i camera. The camera features 16:9 720p HD video capture at 30 fps as well as a Full HD 1080p video capture at 20 fps, and a third option to record 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps. The video capture mode is part of the camera’s Live View function, using the Picture Style that has been set for Live View still image shooting. The camera allows skilled photographers and enthusiasts to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image as well. When recording video, the camera’s rear LCD screen is letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size.

Like the EOS 5D Mark II model, the EOS Rebel T1i camera will record video up to 4GB per clip equaling approximately 12 minutes of Full HD video, 18 minutes of 720p HD video, or 24 minutes of SD video depending on the level of detail in the scene.i Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCMii without compression. The camera features a built-in monaural microphone to record sound. To help show off those fantastic movies as well as still photos, the EOS Rebel T1i camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV.

Live View Shooting
Much like the EOS 5D Mark II, the Canon EOS Rebel T1i camera features Live View for both still images as well as video. The Rebel T1i features the Company’s three Live View AF modes – Quick, Live and Face Detection Live mode – which can be used to capture still photos or video images. Quick mode automatically sets One-Shot AF using the camera’s phase detection AF system. It also allows users to select the AF point, even while the Live View image is displayed. Although the camera’s reflex mirror must be lowered briefly to take an AF measurement in Quick mode, it is the fastest way to set focus automatically when the Rebel T1i camera is set for Live View.

Live mode uses contrast-detection AF with the image sensor and here, as with Quick mode, users can change the location of the active AF point using the Multi-controller. Face Detection Live mode uses contrast AF to recognize human faces. When multiple faces are detected, the largest face closest to the center of the frame is targeted as the AF point. While Live View is engaged, users can still change settings including the AF mode (Quick, Live, Face Detection Live mode), drive mode, ISO speed, Picture style, White Balance and more.

Auto Lighting Optimizer
Canon’s Auto Lighting Optimizer technology helps ensure that the subject of each picture is clearly visible by analyzing image brightness and automatically adjusting dark areas in images so they appear brighter. This is ideal when shooting high-contrast situations that include harsh shadow areas, such as landscape images where the foreground is brightly lit and the background detail blanketed in dark shadow. In a scene such as this, the EOS Rebel T1i camera’s Auto Lighting Optimizer technology maintains exposure of the highlight areas while lightening shadow areas for a more enjoyable and evenly illuminated image. The EOS Rebel T1i also supports Peripheral Illumination Correction for up to 40 Canon EF and EF-S lenses.

Canon’s Creative Auto Mode
Canon’s “CA” Creative Full Auto setting available on the EOS Rebel T1i, EOS 50D and EOS 5D Mark II cameras allows users to make image adjustments such as exposure compensation, aperture or shutter speed through a simple navigation screen on the camera’s LCD screen, allowing them to “blur the background” or “lighten or darken the image” with ease. These easy-to-understand image options allow learning-photographers to experiment with image options while still shooting in an automatic mode.

EOS Integrated Cleaning System
With the introduction of the EOS Rebel T1i camera, the entire Canon EOS system is now equipped with the highly acclaimed EOS Integrated Cleaning System. The Self-Cleaning Sensor Unit for the Canon EOS Rebel T1i has been upgraded with a fluorine coating on the low-pass filter for better dust resistance.

Pricing and Availability
The Canon EOS Rebel T1i Digital SLR Camera is scheduled for delivery by early May and will be sold in a body-only configuration which includes a rechargeable battery pack and charger, USB and video cables, a neckstrap, an EOS Solutions Disk CD and a 1-year Canon U.S.A., Inc. limited warranty at an estimated retail price of $799.99iii. It will additionally be offered in a kit version with Canon’s EF-S18-55mm f/3.5-5.6 IS zoom lens at an estimated retail price of $899.99iv.

Canon Speedlite 270EX
The new Canon Speedlite 270EX, the successor to the 220EX Speedlite model, is a compact, lightweight external flash option for Canon cameras including select Canon PowerShot models. Ideal for use with the new EOS Rebel T1i, the new Speedlite 270EX uses only two AA batteries and enables bounce flash shooting with four position steps from 0 degrees to 90 degrees. Like Canon’s high-end Speedlite flash models, the 270EX allows users to control flash functions and input settings using the camera’s LCD monitorv. The flash also features a quick-lock mechanism and a metal mounting foot for secure and easy attachment and reliable contact.

Features at a glance:

  • 15.1 Megapixel APS-C CMOS sensor
  • Full HD movie recording with HDMI connection for viewing and playback on an HDTV
  • ISO 100-3200 (expandable to 12800)
  • 3.4 frames per second continuous shooting
  • Max. 170 large JPEG images in a single burst
  • 3.0” ClearView LCD with Live View mode
  • 9-point wide area AF with cross type centre point
  • High speed DIGIC 4 performance and superb image quality
  • EOS Integrated Cleaning System
  • Full compatibility with Canon EF and EF-S lenses and EX-series Speedlites, including new Speedlite 270EX, TS-E 17mm f/4L and TS-E 24mm f/3.5L II

Canon EOS 500D specifications

xebel_t1i_lens_rebel_540x572

List price (US) • Body only: $?
• Kit: $? (with 18-55 mm IS lens)
List price (EU) • Body only: €?
• Kit: €? (with 18-55 mm IS lens)
International naming * • US: Canon Rebel Digital T1i
• Japan: Canon EOS Kiss Digital X3
• Elsewhere: Canon EOS 500D
Body material Plastic (Stainless Steel chassis)
Sensor * • 15.1 million effective pixels
• 15.5 million total pixels
• 22.3 x 14.9 mm CMOS sensor
• RGB Color Filter Array
• Built-in low-pass filter with self cleaning unit
• 3:2 aspect ratio
Dust reduction • Low-pass filter vibration at power-on (can be interrupted)
• Anti-static coating on sensor surfaces
• Software based dust-removal (camera maps dust, removed later)
Image sizes * • 4752 x 3168
• 3456 x 2304
• 2353 x 1568
Still image formats • RAW (.CR2 14-bit *)
• RAW (.CR2 14-bit *) + JPEG Large/Fine
• JPEG (EXIF 2.21) – Fine, Normal
Movie recording * • 1920 x 1080 (1080P, 16:9) @ 20 fps
• 1280 x 720 (720P, 16:9) @ 30 fps
• 640 x 480 (4:3) @ 30 fps
• Quicktime MOV format (H.264 video,linear PCM audio)
• Up to 29 min 59 sec (or max file size 4 GB)
Image processor * DIGIC 4
Lenses • Canon EF / EF-S lens mount
• 1.6x field of view crop
Focus modes • Auto Focus
• Manual Focus (switch on lens)
Auto Focus • 9-point CMOS sensor
• F5.6 cross-type at center, extra sensitivity at F2.8
• AF working range: -0.5 to 18 EV (at 23°C, ISO 100)
• Predictive AF up to 10 m
AF modes • AI Focus
• One Shot
• AI Servo
AF point selection • Auto
• Manual
AF assist Flash strobe
Shooting modes • Auto
• Portrait
• Landscape
• Close-up
• Sports
• Night portrait
• Flash off
• Movie *
• Program AE (P)
• Shutter priority AE (Tv)
• Aperture priority AE (Av)
• Manual (M)
• Auto depth-of-field
Metering • TTL 35-zone SPC
• Metering range: EV 1.0 – 20 EV (at 23°C, ISO 100, 50 mm F1.4)
Metering modes • Evaluative 35-zone (linked to AF points)
• Partial 9% at center
• Spot 4% at center
• Center-weighted average
AE Lock AE lock button
AE Bracketing • +/- 2.0 EV
• 0.5 or 0.3 EV increments
Exposure compen. • +/- 2.0 EV
• 0.5 or 0.3 EV increments
Sensitivity • Auto (100 – 1600 *)
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 *
• H1 expansion (ISO 6400 equiv.) *
• H2 expansion (ISO 12800 equiv.) *
• Highlight tone priority
Shutter • Focal-plane shutter
• 30 – 1/4000 sec (0.5 or 0.3 EV steps)
• Flash X-Sync: 1/200 sec
• Bulb
Aperture values • F1.0 – F91 (0.3 EV steps)
• Actual aperture range depends on lens used
White balance • Auto
• Daylight
• Shade
• Cloudy
• Tungsten
• Fluorescent
• Flash
• Custom
WB Bracketing • +/-3 levels
• 3 images
• Selectable Blue/Amber or Magenta/Green bias
WB fine-tuning • Blue (-9) to Amber (+9)
• Magenta (-9) to Green (+9)
Color space • sRGB
• Adobe RGB
Picture style • Standard
• Portrait
• Landscape
• Neutral
• Faithful
• Monochrome
• User 1
• User 2
• User 3
Custom image parameters • Sharpness: 0 to 7
• Contrast: -4 to +4
• Saturation: -4 to +4
• Color tone: -4 to +4
• B&W filter: N, Ye, Or, R, G
• B&W tone: N, S, B, P, G
Image processing • Highlight Tone Priority
• Auto Lighting Optimizer (Basic and Creative modes) *
• Long exposure noise reduction
• High ISO speed noise reduction *
• Peripheral illumination correction *
Drive modes • Single
• Continuous: 3.4 fps up to 170 JPEG / 9 RAW frames *
• Self-timer 10 secs (2 sec with mirror lock-up)
• Self-timer continuous
Mirror lockup Yes (custom function)
Viewfinder • Pentamirror
• 95% frame coverage
• Magnification: 0.87x (-1 diopter with 50 mm lens at infinity)
• Eyepoint: 19 mm
• Dioptric adjustment: -3.0 to +1.0 diopter
• Fixed precision matte
• Proximity sensor disables LCD shooting mode information
Viewfinder info • AF information (AF points focus confirmation light)
• Shutter speed
• Aperture value
• ISO speed (always displayed)
• AE lock
• Exposure level/compensation
• Spot metering circle
• Exposure warning
• AEB
• Flash ready
• High-speed sync
• FE lock
• Flash exposure compensation
• Red-eye reduction light
• White balance correction
• SD card information
• Monochrome shooting
• Maximum burst
• Highlight tone priority *
DOF preview Yes, button
LCD monitor * • 3.0″ TFT LCD
• 920,000 pixels
• Wide viewing angle (170° horizontal and vertical)
• Dual anti-reflection, anti-smudge
• 7 brightness levels
• Up to 10x zoom playback
LCD Live view • Live TTL display of scene from CMOS image sensor
• 100% frame coverage (30 fps display rate)
• Real-time evaluative metering using CMOS image sensor
• Best view or exposure simulation
• Grid optional (thirds)
• Magnify optional (5x or 10x at AF point)
• Optional Auto-focus with mirror-down / mirror-up sequence
• Optional Face Detect *
• Two modes; normal and quieter
• Remote live view using EOS Utility (via USB or WiFi/Ethernet using WFT)
• Manual focus only
Record review • Uses last play mode
• Magnification possible
• 2 / 4 / 8 sec / Hold
Flash • Auto pop-up E-TTL II auto flash
• Guide number approx 13
• Modes: Auto, Manual Flash On/ Off, Red-Eye Reduction
• X-Sync: 1/200 sec
• Flash exposure compensation: +/-2.0 EV (0.3 or 0.5 EV steps)
• Coverage up to 17 mm focal length (27 mm FOV equiv.)
External flash • E-TTL II auto flash with EX-series Speedlites
• Hot-shoe
Other features • Orientation sensor
• Automatically writes FAT16/FAT32 depending on capacity
Auto rotation • On (playback uses orientation data in file header)
• Off
Playback mode • Single image
• Single image with info (histogram brightness / RGB )
• Magnified view (1.5 – 10x in 15 steps, browsable)
• 4 and 9 image index
• Auto play
• Image rotation
• Jump (by 10, 100 or date)
Custom functions * 13 custom functions with 39 settings
Menu languages * • English
• German
• French
• Dutch
• Danish
• Portuguese
• Finnish
• Italian
• Norwegian
• Swedish
• Spanish
• Greek
• Russian
• Polish
• Czech
• Hungarian
• Romanian
• Ukrainian
• Turkish
• Arabic
• Thai
• Simplified Chinese
• Traditional Chinese
• Korean
• Japanese
Firmware User upgradable
Connectivity • USB 2.0 (Hi-Speed)
• Video out (PAL / NTSC) (integrated with USB terminal *)
• HDMI Type C *
• E3 type wired remote control
Audio * • Mono microphone on front
• Mono speaker on rear
Storage • SD / SDHC card
Power • Lithium-Ion LP-E5 rechargeable battery (7.4 V, 1050 mAh)
• Optional ACK-E5 AC adapter kit / car battery charger CBC-E5
Battery Grip Yes, BG-E5
Direct printing • Canon Selphy Printers
• Canon Bubble Jet Printers with direct print function
• Canon PIXMA Printers supporting PictBridge
• PictBridge
Dimensions 129 x 98 x 62 mm (5.1 x 3.9 x 2.4 in)
Weight (no battery) * 480 g (1.1 lb)
Software * • Zoom Browser EX / ImageBrowser
• Digital Photo Professional (Windows / Mac)
• PhotoStitch
• EOS Utility (inc. Remote Capture; Windows & Mac except Mac Intel)
• Original Data Security Tools
• Picture Style Editor